was one of many first important movies to feature a straight marquee star as an LGBTQ lead, back when it was still considered the kiss of career Loss of life.
Underneath the cultural kitsch of all of it — the screaming teenage fans, the “king of your world” egomania, the instantly universal language of “I want you to attract me like one of your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s possess obsession with the Ship of Dreams (which he naturally cast to play itself in a very movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between earlier and present), and continues with every facet of the script that revitalizes its essential story of star-crossed lovers into something iconic.
Some are inspiring and considered-provoking, others are romantic, funny and just simple pleasurable. But they all have a person thing in common: You shouldn’t miss them.
Other fissures arise along the family’s fault lines from there as the legends and superstitions of their earlier once again become as viscerally powerful and alive as their challenging love for each other. —RD
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong proving to get every inch as mysterious and rich with meaning as “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” can be a clenched sleepwalk through a swirl of overlapping dreamstates.
Iris (Kati Outinen) works a useless-stop career at a match factory and lives with her parents — a drab existence that she tries to escape by reading romance novels and slipping out to her neighborhood nightclub. When a person she meets there impregnates her and then okxxx tosses her aside, Iris xxxxxx xxxxx decides to acquire her revenge on him… as well as everyone who’s ever wronged her. The film is practically wordless, its characters so miserable and withdrawn that they’re barely capable to string together an uninspiring phrase.
Established in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who has sexual intercourse with other Adult males to please her husband after a collision has left him immobile. —
Tarr has never been an overtly political filmmaker (“Politics makes everything way too easy and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is from the thrall of another authoritarian leader reflects both the recursive arc of modern history, as well as the full power of Tarr’s sinister parable.
A poor, overlooked movie obsessive who only feels seen via the neo-realism of his country’s countrywide cinema pretends to be assoass his favorite director, a farce that allows Hossain Sabzian to savor the dignity and importance that Mohsen Makhmalbaf’s films experienced allowed him to taste. When a Tehran journalist uncovers the ruse — the police arresting the harmless impostor while he’s inside the home on the affluent Iranian family where he “wanted to shoot his next film” — Sabzian arouses the interest of the (very) different local auteur who’s fascinated by his story, by its inherently cinematic deception, and through the counter-intuitive chance that it presents: If Abbas Kiarostami staged a documentary around this male’s fraud, he could correctly cast Sabzian as being the lead character in the movie that Sabzian had always wanted someone to make about his suffering.
But assumed-provoking and just what made this such an intriguing watch. Would be the viewers, along with the lead, duped through the seemingly innocent pandamovies character, who is truth was a splendid actor already to begin with? Or was he indeed innocent, but learnt much too fast and way too well--ending up outplaying his teacher?
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“Raise the Crimson Lantern” challenged staid perceptions of Chinese cinema in the West, and sky-rocketed actress Gong Li to international stardom. At home, however, the film was criticized for trying to appeal to foreigners, and even banned from screening in theaters (it had been later permitted to air on television).
, future Golden World winner Josh O’Connor floored critics with his performance being xxxxxx xxxxx a young gay sheep farmer in Yorkshire, England, who’s struggling with his sexuality and budding feelings for just a new Romanian migrant laborer.